How Do You Approach Your Acting Career

There are many ways to approach your acting career. Let's look at the examples of two actors, A and B.

• A is proactive in looking for work. B expects his agent (don't ask how he got an agent) to do all the work.


• When A is going to be unavailable, which is the exception, he books out. When B is going to be unavailable, which is the rule, he simply doesn't show up.


• A attends industry events in order to network and support others. B also attends industry events. Particularly those that have an open bar or showcase a project he was involved in.


• A prepares for his auditions by reading the script, making strong character choices, etc. He also keeps his cold reading skills sharp just in case. B gets a copy of the sides when he shows up at the audition and glances over them once before going into the room. The only time he cold reads is in the audition room.


• A looks like his headshots. B, not so much.


• A is a pleasure to work with. He shows up on time, prepared, and is considerate of others. B is not a pleasure to work with. He shows up late, unprepared and gossips.


• A sincerely wants the best for his fellow actors. Even the ones that are often up for the same roles as him. B does subtle things to try to sabotage other actors. (FYI, B's behavior will usually backfire for several reasons.)


• When A posts on actor forums, it is done with the intent to help and give others another option to consider. When B posts on actor forums, it is to belittle those with differing view points.


• Whether it's a formal class or getting together with other actors, A is constantly taking steps to better his acting skills. With the exception of CD workshops in order to "be seen", B never works on his acting skills.


• A realizes this is a business and treats it as such. B doesn't bother with the business aspect.

So, are you an A lister or a B lister?

Dreams, Goals, and To Do Lists

Dreams: These are things you want to achieve. I also include the recognition you hope to obtain. Things like being an "a-lister", having own sitcom, being lead in Broadway production, getting hand prints in that cement thing, being profiled in Vogue and being one of People's sexiest.

Dreams are the show side of an acting career and the acknowledgement of others regarding said career.

Goals: These are what those who are not a Disney Princess need to do to obtain their dreams. Things like taking acting classes, putting together a demo reel, attending industry events, taking care of your product (that's your body), looking for work and being available.

Goals are the business side of an acting career.

I could dream of having my own sitcom all day, but until I take the steps to make it happen it won't. In other words, if I don't do the business part, I won't have much to show for the show part.

To Do Lists: I'm just throwing this one in because, well, it's how my humor works. These are things you simply have to do occasionally (or have someone do for you) such as laundry. It might or might not be acting related. Sometimes you might be putting together wardrobe choices. Other times you might be out of clean underwear.

Your Audition Begins When

the first line is read? you slate? you enter the room? your name is called? you sign in? you enter the building? you get out of your car? you leave for the audition? you get your stuff together? you wake up that morning? you are notified of the audition? you...?

Perhaps I should point out that there are actually two auditions. The one everyone thinks of. You know, the one during which sides are read and you hope the powers that be see you as the character. And the one where you play yourself.

This is about the audition where you play yourself. And it is constantly happening. Constantly happening because you are consistently developing habits which define you. Habits which will come out on set, regardless of how careful you are to keep them in check. Not every set, but eventually because in the end we must be true to who we are.

How do you play yourself? Sorry, can't tell you. There are too many factors I don't know about you. I would, however, highly recommend knowing yourself. And I don't mean knowing the name on your driver's license. I think this is where a lot of celebrities get into trouble. They are constantly being the personality their agents, managers and public relations decided on instead of being their authentic self. Yes, it is possible to make your authentic self work in harmony with your brand regardless of how different they might seem at first glance. Because your authentic self is not a one note person and your brand should not be either.

What does being yourself have to do with auditioning? Whether you're playing the title character or Under Five refers to the number of syllables you speak, you will spend a lot more time as yourself. You are the character between "action" and "cut". The rest of the time, you are pretty much yourself.

Does this come into play during the casting process? Every CD could probably, from projects they worked on, list actors that have not been hired, or were fired, or won't get called into their office anytime soon because of the actor's behavior. The good news: You can develop any habit you want as well as break any habit you want. Yes, it will take work, but it is doable.

Think of it this way. Someone who tells inappropriate jokes, burps in peoples faces and belittles others asks you on a date. You'll probably say no. But let's say, for the sake of discussion, you say yes. And let's assume this someone genuinely tries to be the perfect gentleman or lady on the date. How long before that joke slips out? And you'll probably spend the evening waiting for a face full of burp.

You think I'm kidding or you can reach a level in which your personal behavior won't effect your acting career? Think again. Look at Charlie Sheen and Two and a Half Men. Judging from his salary, I'm guessing he did a superb job playing the character, but he was fired because of his personal behavior. (No idea what the "official" reason was, but I can assure you he would be filming an episode had he behaved differently.) About the only thing bigger is if something like Jerry Seinfeld being fired from Seinfeld had happened.

What would you do

...on camera (or stage, but I'm going to concentrate on camera). First off, for those of you thinking an actor should gratefully accept any role and do whatever the director wants -on set- until reaching A-list status, you are wrong. Well, at least as far as the second part goes. One should always be grateful. And one should never sacrifice their morals.

This goes beyond the standard nudity example which is complex just by itself. If the producers reach as certain dollar amount, do the clothes come off? What about implied nudity? Just your butt? Lot to think about. Highly recommend deciding before the powers that be ask for your decision.

Two off topic comments about nudity.

1. If it is not on camera, it does not need to be exposed. Even if it is your chest and your bare back is on camera.
2. There is no reason to suddenly write your clothes out of the script. So don't be pressured out of them. If you're willing to do it, fine. Just make them renegotiate first. And charge more than you usually would. After all, most places charge extra for rush jobs.

So, besides nudity, what else should an actor consider?

• Would you do a scene wearing just underwear?
• What about underwear designed with the opposite sex in mind?
• How about clothing with intimacy in mind? This includes everything from the lingerie stores at the mall to kinky leather bondage stuff.
• Would you portray a gay character with make out/sex scenes?
• Would you do those scenes if the character was straight?
• Are you willing to smoke? Herbal cigarettes? E-cigarettes?
• Are you willing to alter your appearance? I mean in such a way that your current headshots won't match your appearance for the next six months.

I suppose there might be other things to consider, but you get the idea. Notice how all the bullet points are things that cannot be faked. That's why drinking is not on there. You can take apple juice and call it beer or pee or alien mind control fluid. You can even stretch artistic license to the limit and call it apple juice. But you cannot stick a ballpoint pen in your mouth and call it a cigarette.

Charlie Sheen

Charlie Sheen is merely the latest in the line of actors who have said or done something to make their publicists really earn their money. However, his case is particularly bothersome. Why?

1. He is a series regular on an in production series. A series that has been put on hiatus due to his antics. And those antics must be pretty bad. Perhaps more than we realize. After all, shutting down production is a major decision. Not one that's made simply because the star called a producer "Mr. Poopy Pants".
2. He is completely unrepentant. Sure, a lot of the "repentance" of the others might be PR motivated. But at least they are not going out of their way to claim it is everyone else's fault.
3. He has gone on the biggest ego trip since...well, at least he's not some general who is in a position to command his army to invade a neighboring country. Demanding a doubling of his salary? Being tired of pretending not to be great? Hmm, I'm thinking Exhibit A of drugs do mess with your brain.
4. I doubt he is getting the help he needs. He claims to have been cured of any drug addictions. I suppose that is possible. I am not an expert in this area. But, like I mentioned, I have my doubts. #1 through #3 do not seem like the actions of someone trying to clean up his life.

Is Charlie's acting career over? He is not dead (literally) so a comeback is possible. However, it has been seriously wounded and he has not been taking care of healing. In fact, he has been aggravating the wounds. Charlie might be the greatest actor in the world. He might even be a wonderful person, under better circumstances, to be around. But if I were producing, I would not feel comfortable having him on my set. I would be asking "Is getting Charlie to sign on important enough to risk a breakdown in the middle of shooting?".

Casting Notices

FILMMAKERS:

When putting out casting notices, insulting the talent you hope to attract is probably not the best approach. Seriously, if "thinks showing up two hours late, drunk and unprepared is the standard operating procedure for actors" is the vibe I get from your notice, I'm not even going to consider your project. When I see such notices, I think "I wouldn't want to work with such a jerk".

I have better things to do. Like work with filmmakers that appreciate actors and don't look at them as evil necessities.

Oh, on a side note, consider where and how you are posting your casting notices. If you post on craigslist and your entire notice is "submit to be in an awesome feature film" and a craigslist email address, there probably will not be much experience among the submissions. Those with experience will think it is an outright scam or that you don't know what you're doing.

Level of Dedication

While waiting for my turn to get a haircut, I flipped through Vogue. It was the edition with the Natalie Portman interview about Black Swan. Didn't read the article; when I said flipping through, I meant flipping through. However, I notice a photo caption that stood out. It mentioned that she practiced ballet eight hours a day the two months before shooting started. (Of course, this is not the extent of her ballet training.)

Reading things like that causes me to ponder the level of my dedication. If she had put in the amount of effort, I do...Would Black Swan be one of the must see films? Would her name be popping up in connection with various acting awards? Don't know about the film, but I highly doubt anyone would even remotely think of the performance as reward worthy.

Sure, it would be easy to excuse my level of dedication. I could point out that I have a day job, and it's possible she wasn't footing the bill for the ballet lessons. But that would be a cope out. Without looking at the list of actors, I can safely say that each one being considered for an award put in his or her dues.

I can safely say the actors put in their dues because it is impossible to reach that level of acting without doing so. And the level of dedication I establish now will, by habit, be the level of dedication I will have later.

Therefore, I am going to increase my level of dedication toward my acting career to that which Natalie put in toward her role. Why? Because I want to reach that level.